Chapter 6
Story: The Colonel Pounded on the Shuttle Door Three Times; the Driver Kept His Hand on the Lever
Brennan didn't wait for Vernon to tell her what to do. She unbuckled her seatbelt, walked down the aisle, and stepped off the shuttle onto the empty concrete pad. The sun was high and white, and the folded paper lay on the ground, pinned by the rock, looking small and fragile in the middle of all that open space.
She looked back at Vernon. He was watching from the driver's seat, both hands on the wheel, no hurry in him.
"Go on," he said. "Pick it up."
She bent down, wrapped her fingers around the paper, and lifted it out from under the rock. It was a single sheet, same blue-ruled memo form as the one Odell had shown her on the shuttle. She unfolded it and read:
I made this copy this morning from the original note I found on Sergeant Park's desk. The note is in Colonel Reinhardt's own handwriting. It orders the shuttle loop kept running during the next evac drill, doors open, and directs that no written copy of the order be made. I am leaving this copy here because the original has been removed from my custody. Whoever finds this paper should keep it safe. It is the only remaining written evidence of what was ordered.
At the bottom, in a neat, careful hand: Sgt. Marcus Odell, 41 S.
No signature. No way to prove it was his handwriting. Just the message, which read like the confession of a man who had already decided what was coming next.
Brennan folded it and held it in her hand. It felt heavy out of all proportion to its weight.
"Sir," she said, walking back to the open door. "This is Odell's paper. He left it here for someone to find. Anyone. He didn't know who would pick it up."
"No," Vernon agreed. "He didn't." He looked at her standing in the doorway of the shuttle, holding the paper. "But he knew who was due to stop here next."
Brennan climbed back in, buckled up, and held the paper in her lap. "What do I do with it?"
Vernon pulled the door closed and put the shuttle in gear. "Well, you're a dispatcher. You talk to people. You file things. You know the difference between something that gets filed away and something that gets — " he paused, " — delivered."
"Delivered."
"What you do with that paper," Vernon said, pulling away from the pad, "is a decision you get to make for yourself. Everybody else has been deciding for me all morning. You get to decide for you."
The shuttle rolled forward. Brennan sat with the paper on her lap, feeling its edges through the fabric of her trousers, and thought about all the people who had touched it: Odell, who had made it and left it; Reinhardt, who had written the thing it copied; and now her.
She looked out the window as the wing headquarters building slid past, and she saw, in the second-floor window near the corner of the building, a figure standing with its hand against the glass, looking down at the shuttle. She could not make out the face, but she recognized the shape of the shoulders, the set of the head.
It was Odell. And he was watching them leave.
Brennan looked down at the paper in her hands and began to read it again, more slowly this time, with a dispatcher's eye. She noticed things that the first reading had skipped over. The paper was a standard interoffice memo form, with the wing's printed letterhead at the top and a line for the date, which Odell had left blank. The body of the note was not typed but handwritten, in a cramped, angular script that suggested a person writing quickly, under pressure.
At the bottom, below the final line, there was a small notation in a different hand — a single note in pencil, light and small, as if it had been added later, at a different time, by someone other than Odell:
As per our conversation, I have removed the original note from the file. — I.P.
Brennan read those initials and felt her blood go cold. Ilene Park. The clerk who was supposed to have been out sick that morning. The clerk who had made the call to Vernon. The clerk who had written, in pencil, at the bottom of the paper in Brennan's hand, the proof that she had handled the evidence.
"Vernon," Brennan said, and her voice came out steadier than she felt. "Park took the original note."
Vernon glanced in the rearview, saw her face, and pulled the shuttle over to the side of the road, out of the lane, onto the gravel shoulder. He put it in park and turned around to look at her properly.
"What you got there?"
"Odell's note. The copy he made." She held it out, and Vernon took it and read it, his eyes moving down the page until they reached the pencil notation. He read it once, then again.
"Ilene Park," he said. "She removed the original note from the file."
"Which means the only original evidence is now in the hands of a woman who made the call that started this whole thing," Brennan said. "And Odell's copy is all we have."
Vernon sat with the paper in his hands for a long moment. The shuttle idled, the GPS blinked, and a single crow flew across the windshield.
Then he handed the paper back to Brennan and said, quietly, "You know what this is, Airman?"
"What?"
"This is the part where you decide which kind of paper this is." He looked at her. "It's either the kind that goes into a file and gets forgotten, or the kind that goes into a person's hand and changes what she does next."
Brennan looked at the paper. She held it in her hands, and she could feel the weight of it, the weight of every piece of paper that ever mattered, the weight of all the words that someone had decided were not worth writing down.
"Can you radio base ops?" she asked. "Ask who's on shift in the dispatch office this afternoon?"
Vernon looked at her long, and nodded, and reached for the handset.
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