Chapter 7
Inside, the greenhouse smelled of loam and dry wood and dust, a smell like his childhood memories of his aunt's potting bench. But it was not the potting bench he found first.
Rows of tables lined the interior, and on them — under them, along the window sills, in every space that could hold anything — stood orchids.
Hundreds of orchids.
Some in plastic pots, some in terra cotta, some in baskets hanging from the rafters, some in cracked ceramic cups that had been there so long the roots had grown out through the drainage holes and attached themselves to the tables. They were all green and alive, sublimely healthy, each leaf glossy, each root plump and firm, moisture beads glistening on the bark chips of their pots.
Hollis stood in the doorway and stared.
He'd been inside this greenhouse a handful of times as a child, but never like this — never when all the lights were on, never when the glass was clean enough to see through. It had been dim then, full of shadows and mysterious shapes. He remembered his aunt telling him to be careful among the tables, but he'd been young, and the shapes had been strange.
Now the shapes resolved themselves into cultivars he recognized and ones he didn't: Cattleyas with flowers like purple ruffles, Phalaenopsis with arching stems of white and pink, a Cymbidium in full heavy bloom the color of pale green apples, and at the center of it all, on a table of its own, under a single skylight that let the sun fall directly onto its leaves, a plant so extraordinary that Hollis felt his breath catch.
The orchid was enormous. Its leaves were long and dark green, nearly a yard in length, and its stem rose from the center taller than his chest, bearing a cluster of blossoms each the size of a fist. The petals were a deep, unusual gold, veined with orange like veining in an autumn leaf, and the scent filled the whole greenhouse.
Hollis walked toward it slowly, not daring to breathe too hard.
On the table beside the orchid lay a notebook, open. His aunt's handwriting, the same thin clear hand that had written the parcel number on the deed.
*Shangri-La. Orchid of the mist, grown from seed in 1974. Flowered first in 1986. I have pollinated it every year since, but I have never allowed it to set more than one pod. It is the only known specimen of its cross.*
Hollis turned the page.
*I have kept this orchid safe for sixty years. It is the heart of this garden, the thing that the roses are only the gate to.*
He read on, through pages of dates and pollinations and crosses, page after page of precise notes in his aunt's hand. She had been growing orchids here longer than the garden club had existed. She had been growing this one particular orchid since before she had inherited the estate from her own father.
At the back of the notebook was a leather portfolio. Hollis opened it.
Inside were letters on stationery from botanical gardens across the country, all addressed to Margaret Barrett. Offers to buy. Offers to display. One from a horticultural society, inquiring whether she would consider allowing them to exhibit Shangri-La at a national show. A final one, dated six years ago, from a collector, offering what was, even at a glance, an extraordinary sum of money.
Hollis sat down on the potting bench in the center of the greenhouse, the portfolio in his lap, and looked at the orchids around him.
They had all been cared for, watered, fed, cleaned. Someone had been coming in here long after his aunt had been unable to manage it herself — long after she'd deeded the property to him, even, after her hands had gotten too unsteady to handle the thinnest of her plants.
It couldn't have been Claudia. She'd have bragged about it. It couldn't have been Priya — she hadn't known where the key was, and she'd said so. It couldn't have been Warren, who had held the key, but who, from his confession, had only held it, never used it.
Which left one possibility.
Hollis looked at the orchids again. He looked at the gleaming leaves, the moist bark, the neatness of the watering cans lined up by the door.
His aunt had not been alone in her care of this greenhouse. Someone else had known about it, someone else had cared for it, in the years she'd been too weak to do it herself.
He looked at the note Warren had passed him.
*Everything's still inside.*
What it meant was that someone had been keeping it alive. And that someone, Hollis realized slowly, must have been the one who had called the club's attention to the old groundskeeper position. The one who had insisted the new owner come and see what had been kept for him.
Warren Ellery, who had sat silent at the far end of the table through all of Claudia's humiliations, had known more than he'd ever said.
And now Hollis understood why Claudia had never once set foot in the greenhouse, why she'd acted as though it were mere decoration, why she had led Hollis to believe that his aunt's last words about a locked door and a brass key were the ravings of an old woman.
Claudia had never known this was here.
The orchids were the garden's heart, and Claudia had been contradicting him for nine days. The garden had a heart, and it wasn't her.
He was still sitting there when the door scraped open and Warren came in, lighting the way with a small lantern though the sun was bright.
"She told me once," Warren said quietly, from the doorway, "that the soil in this greenhouse was the only soil on the property that had never been dug up by anyone but her. She said the ghosts of the roses she'd planted as a girl were in the dust."
Hollis looked down at the portfolio in his lap. "She had offers. For Shangri-La."
Warren nodded. "She refused them all. Every one. Said she'd rather die than see it taken from this garden, because the family that had tended it deserved to have it whole."
"She means me," Hollis said.
Warren didn't answer. He didn't need to.
Hollis looked at the key in his hand, at the orchids in their rows, at the letters on the bench beside him. And for the first time in the whole long week, he smiled.
Advertisement