Chapter 3
Story: Her Grandmother Threw Her From the Hospital Bed, Then Her Father Saw It
Miles stayed in the room until Aria closed her eyes.
It took almost an hour. She was wired and frightened, her small body running on adrenaline and fear, and every time a nurse walked past the door her hand tightened on his. Cora came back twice — once with a warmer blanket, once with a cup of warm milk that Aria drank in tiny sips while her father pretended not to notice that his own hands were shaking.
The drawing lay on the bedside table, face down.
"When did they take her locker?" he asked Cora, when Aria's breathing had finally settled into the slow rhythm of sleep.
Cora checked her tablet. "The day nurse did rounds at six this morning. She logged the locker as full — said she saw the books and the clothes through the slats. The evening nurse came on at seven. She didn't check it."
"Six to seven," Miles said. "One hour."
"An hour is a lot of time," Cora said quietly.
She looked at him, and there was something in her eyes that wasn't professional anymore. "Mr. Ashford — Miles — I've worked this floor for eleven years. I've seen families. I've seen the good ones and the bad ones and the ones you have to watch. And I'll tell you something I shouldn't tell you. When a grandmother visits her sick granddaughter, she doesn't usually bring a cigarette case with a drawing hidden inside it."
Miles looked at the case.
"How did she get the drawing?" he said. "Aria said she took it. Last week."
"The child's been here three days," Cora said. "So the visit was before that."
"Last Tuesday," Miles said, thinking. "I was in New York. Aria was at the estate. My mother said they had a nice afternoon — tea, cookies, a walk in the garden."
Cora's eyebrow went up. "And the drawing?"
"She said she didn't have it."
Nobody spoke for a moment. The monitor beeped.
"If it was just a drawing," Cora said, "why did she keep it? Why did she hide it in a cigarette case from the 1980s?"
"Because it's not just a drawing," Miles said.
He unfolded the paper again. The words were still there, big and wobbly, pressed so hard into the paper they had left grooves on the other side.
*Do not look in the closet. She gets mad when you look in the closet.*
"Aria drew this," he said slowly. "She was telling herself something. Or she was reminding herself of something."
"Of what?"
"I don't know yet."
He put the drawing back on the table, face down, and stood up. His knee cracked as he straightened — he had been kneeling on the tile for twenty minutes without noticing.
"I need to see the hallway footage," he said.
Cora shook her head. "I can't give you that. It's hospital property. It goes through security."
"Then I'll go through security."
"It's after midnight. The security office is locked."
"Then I'll wait until morning."
Cora looked at him for a long moment. Then she looked at Aria, asleep with her rabbit under her chin.
"There's a camera on this floor," she said. "At the end of the hall, by the storage lockers. It covers the whole corridor. If someone opened that locker between six and seven this morning, it's on there."
"I know."
"And if I'm not supposed to tell you where the footage goes," Cora said, "nobody's stopping you from figuring it out on your own."
She walked to the door. At the threshold, she turned.
"The security office is in the basement," she said. "Room B-14. The night guard, Reggie, is usually there until six. He's got a soft spot for the pediatric patients. His daughter was on this floor ten years ago."
She left.
Miles sat in the chair by the bed and watched his daughter sleep. The silver case sat on the table between them, and the drawing sat beneath it, and somewhere in the basement of the hospital there was a camera that had seen something.
He did not sleep.
At four in the morning, Aria woke once, crying out in her sleep. Miles was at her side before her eyes opened, his hand on her shoulder, his voice low.
"Hey. Hey. You're okay. I'm here."
"Daddy," she said, and her voice was thick. "The closet."
"What closet, baby?"
"The one in my room. At Grammy's house. She said I wasn't allowed to look. She said I was bad for looking."
He smoothed her hair back from her forehead. The yellow ribbon had come all the way out now, and his fingers were clumsy on the silk.
"Why did you look in the closet, baby?"
"Because I heard a noise," Aria said. "It sounded like a kitten. Grammy said there wasn't a kitten, but I heard it."
Miles's hand went still.
"What kind of noise?"
"Like a tapping," Aria said. "Like something tapping on the inside of the door."
The monitor beeped. Aria's eyes were closing again, her voice already slurring toward sleep.
"Grammy got real mad," she said. "She said I was making things up. She said if I told anyone, she'd take my rabbit away."
Miles sat in the dark and watched his daughter sleep, and he thought about a closet in his mother's house with something tapping inside it.
At five, he stood up, put the drawing in his jacket pocket, and went to find the basement.
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