Chapter 7
The sacristy was cold and smelled of old hymnals.
Arlene sat in the same stiff wooden chair she'd sat in three weeks earlier, with Walter's tool belt in her lap and the white envelope from the china cabinet in her purse. The bishop sat across from her. Deacon Paul sat at the small desk near the door with a legal pad and a pencil. Sana Farooq stood at the window, watching the parking lot, because she had to be back in St. Paul by seven.
The bishop laid the second plaque on the table between them.
It was the same size as the first one, the same plain wooden frame, the same gold-painted face. But the paint on this one was the original. It was 1998 paint, applied in 1998, and nobody had ever touched it. The face read:
THE ST. CASIMIR'S SCHOOL ANNEX
BUILT IN FAITH, 1999
GIVEN IN TRUST BY:
WALTER J. KASPAREK AND ARLENE M. KASPAREK
MAY IT STAND AS LONG AS THE CHURCH IT SERVES.
Arlene looked at it for a long time without saying anything.
"Walter's name I understand," she said finally. "Where does my name come from?"
"From the letter you found in the drawer," the bishop said. "From the estate. Walter's mother didn't just leave him the money outright. She left it to him and to his spouse jointly, with instructions. When Walter made the two gifts, his mother's estate lawyer—the same lawyer who drew up the bequest—took the position that both names belonged on the dedication because the money was the household's, not his alone. Walter agreed. He asked that the plaque be held in the parish files until the annex was built, and then hung with both names."
"But the annex was never built."
"No."
"And Marlene painted over his name on the kitchen plaque and told the council the school gift had never arrived."
"Yes."
Arlene traced the letters of her own name with her fingertip. ARLENE M. KASPAREK. She had been on a wall for twenty-seven years and had never seen it.
"She took my name off too," she said.
"She did."
"Why didn't Walter tell me?"
"He did tell you," the bishop said. "Not in words. He told you in the letter he left you. He told you the second gift was for the school. He told you to say no. He told you to ask them who signed for it. He didn't tell you the exact amount because he didn't think the amount was the point. He may not have told you the plaque had your name on it because he didn't think the plaque was the point either. Walter Kasparek had a mechanic's approach to generosity. You put the part in the engine and you drive the truck. You don't hang the receipt on the wall."
Arlene sat with that.
"Then why is the plaque in the file cabinet?"
"Because I don't think Walter is the one who put it there," the bishop said. "I think Walter asked the parish to hold it, and Marlene Duclos filed it, and once the school project was dropped in 1999 she decided it wasn't going to be hung, because it had your name on it. Not because she hated you. Because anyone who read the plaque would know two things at once. First, that the school gift had been made, which contradicted the story she told the council. And second, that the kitchen addition had been funded with the household money, which contradicted her claim in the parish history that she had raised the money herself."
"Her parish history."
"She wrote a history of the parish for the 150th anniversary in 2014," the bishop said. "It's in the parish office. In it, she states that she organized the campaign that funded the kitchen addition in 1998. She calls it 'the crowning achievement of the laywomen of St. Casimir's.'"
Arlene looked at the plaque.
"So the whole reason she painted over Walter's name in 2022 was to protect a lie she'd told in a book eight years earlier."
"Yes."
"And she took my name off a plaque that was never hung by filing it in a cabinet."
"Yes."
Arlene stood up.
"I don't want the second plaque hung," she said.
The bishop looked at her.
"Why not?"
"Because the annex was never built," she said. "The school was never built. My husband gave thirty-one thousand dollars for a school that the parish never built, and somebody spent it on a roof that has already been replaced twice. The plaque is a promise that we did not keep. Hanging it up now would be like putting up a sign on an empty field that says 'hospital.'"
She was quiet for a moment.
"But I want the plaque," she said. "I want to take it home. I want it in my kitchen over the table. Not because Walter wanted to be honored. Because I want to know every morning when I eat breakfast that there was a version of my life in which he and I were on the wall of the school annex, and I want to see it even though the school was never built."
The bishop nodded slowly.
"That can be arranged," he said. "If you want."
"I do."
"Then we will draft a letter from the diocese returning the plaque to you as a private family item, with a copy of the original gift documentation attached, so that no future council can look at it and say differently." He paused. "There is one more thing."
Arlene looked at him.
"Restitution," he said. "Because the second gift was made to the parish council in trust, and because the trust was violated, the diocese can require the parish to restore the value of the bequest to the estate. In cash. Over time. That would mean a schedule of payments from the parish to you, personally, in your capacity as Walter's surviving beneficiary. The amount would be around forty-one thousand dollars after accounting for the recovered funds, over a period of about eight years."
Arlene sat back down.
"That would ruin the parish."
"It would cost the parish," the bishop said. "Ruin is a strong word. The roof could wait a year. The parking lot resurfacing could wait three years. The parish school bus could be driven two more seasons. There would be no more catered events. There would be no more new hymnals for a while. But it would not close the parish."
"No."
"That is your right."
"I don't want it."
"Arlene—"
"I don't want it." She looked at him squarely. "I want the volunteers paid. That's my one condition. If the parish funds that—if the parish votes to fund the volunteer stipends, from the regular collection, in a way that survives us both—then I will sign whatever waiver you put in front of me, and the parish keeps the money it spent on the school bus and the roof and whatever else it has already paid for, and I don't want one dollar of it back."
The bishop looked at her for a long moment.
"You realize," he said quietly, "that you might be the only person I have ever met who has made that offer."
"Then maybe the church should meet more people," Arlene said.
The bishop almost smiled.
Deacon Paul wrote on his legal pad. Sana Farooq turned from the window and looked at Arlene with the open interest of a professional who had spent her career watching people decide what they wanted, and who sometimes still got surprised.
The bishop stood up and put the second plaque into Arlene's hands.
"Sunday after next," he said. "We'll announce the volunteer fund from the pulpit. Bring the plaque home that afternoon."
Arlene walked out of the sacristy with the plaque under her arm. It was heavier than she expected. She carried it to her car across the wet parking lot, and set it in the back seat, and drove home slowly, and did not turn on the radio.
When she got to her house, she sat at the kitchen table with the plaque leaning against the wall beside her, and she opened the china cabinet drawer one more time and took out the letter and read it one last time, and put it back, and closed the drawer.
Then she stood up and measured the wall over the kitchen table with a tape measure, and she marked a spot with a pencil, and she drove into town to Badger Hardware and bought two brass hooks and a small level, and came home, and hung the plaque over her kitchen table at eye level.
She sat at her kitchen table and looked at it for nearly an hour.
Then she got up and put on a pot of coffee.
On Sunday after next, at the end of Mass, the bishop announced the volunteer fund. He announced it from the pulpit, in the same voice he used for the Gospel, and he read the resolution out loud so there could be no confusion about it later. Small stipends. Funded from the general collection. For anyone who cleaned, cooked, washed, baked, or set up for any parish event. Voted on by the parish council with an annual review from the diocese. Enacted immediately. The room did not applaud, exactly. It went quiet in the way a room goes quiet when something true is finally said and everyone in the room can feel the weight of it settling into the floor.
Marlene was not there.
She had not been there for three Sundays. She had not moved out of town, and she had not sold her house, and she had not been seen in the hall. Corinne said she had told her she was taking a leave from everything. The auditor had personally delivered a letter to her from the diocese, and she had signed for it and closed her door.
Arlene sat in the third row and listened to the bishop read the resolution.
After Mass, the whole parish walked out to the parking lot, and the bishop came up to Arlene with an envelope in his hand, and he said, "There's one more thing."
"There's always one more thing," Arlene said.
"This one is a formality," the bishop said. "The second plaque. The one with your name on it. It's been photographed, catalogued, and documented as the property of the estate of Walter and Arlene Kasparek. It's been returned to you as a family item. There's no legal issue with it. There's no reason anyone would ever need to look at it again."
"Then why are you telling me?"
"Because there's a name on it that isn't yours and isn't Walter's," the bishop said. "Under the two of you, in smaller letters, there's a line of text that says 'with gratitude to the donors and to the parish council of 1998.' And at the very bottom of the plaque, in the smallest letters on the whole plate, there is one more name."
He paused.
"The name is 'Rev. Raymond Ostrowski,'" he said. "That's me. In 1998. As a young priest in the chancery, I signed off on Walter's second gift myself. I was the one who countersigned the trust."
Arlene looked at him for a long time.
"So you knew all along."
"I knew there was a gift. I did not know it had been stolen. I did not know the plaque had been painted over. I did not know any of it had anything to do with the woman standing by the kitchen door with a canvas tote on her shoulder." He looked at her with his kind gray eyes. "The day I walked into that hall three weeks ago, Arlene, I walked in because my calendar said 'confirmation Mass, St. Casimir's, 11:15 a.m.' I did not walk in knowing anything at all about you. I walked in and I saw a woman I'd met twice, twenty-five years ago, being pushed out of the church her husband built."
Arlene folded her hands.
"And now?"
"And now," the bishop said, "I know exactly what I'm doing. And I am going to do it."
He walked away. Arlene stood in the parking lot with the envelope in her hand until the last of the cars were gone, and then she drove home, and put the letter in the drawer, and sat down at her kitchen table under the plaque, and drank the coffee she hadn't finished that morning.
On Monday, the diocese announced the audit findings.
On Tuesday, the parish council voted 9 to 0 to name the kitchen after Walter Kasparek and to fund the volunteer stipends permanently.
On Wednesday, Herb Sorenson came to Arlene's house with a crowbar and a small can of the right color gold paint, and helped her hang a small brass hook under the second plaque on her kitchen wall, and they put her wedding photograph up on it, Walter in a green sport coat in 1974 with his arm around her and both of them looking twenty years younger than they ever remembered being.
On Thursday, the mail brought a handwritten card from Nadine, and another from Corinne, and one from a young woman whose name Arlene did not recognize, who wrote that she had just joined the parish two years ago and that she wanted Arlene to know that she had never heard any of this until Sunday and that she wanted to be one of the volunteers.
And on Friday, a car pulled into Arlene's gravel lane, and a woman got out and walked to the porch, and it was Marlene Duclos.
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